:: hush the wild horses ::
Raised in the Pentecostal pines of small-town Oregon, Rachel Harrington has been doing things in the wrong order for a long time. She was getting radio play before her first gig, and was opening for Grammy winners before her debut album came out. She’s earned songwriting recognition from contests at Merlefest, Falcon Ridge, Sisters, and others, and has a nice little collection of 4-star reviews on prior records.
In the eight years since Harrington's last solo release (Celilo Falls, 2011), she's been homesteading. Off the road, she got dogs and horses, fell in love, and picked up the bridle. In January of 2019, Rachel attended a Mary Gauthier songwriting retreat in Nashville. Encouraged by the veteran troubadour to "try write songs that only YOU can write," Harrington spent the next four months engrossed full-time in composing this collection of new songs that is her most personal to date, farmed directly from home.
The title track is about finding love in the turbulent ride that life can sometimes be. Child of God, inspired by field-holler gospel-blues, revisits a #MeToo moment. The fingerpicking of I Meant To Go To Memphis reviews travels and travails with addiction. The Barn is about Rachel's mother’s high school boyfriend who died while serving his country. Drop Zone’s rockabilly-driven lyrics are taken from Army training cadences Rachel learned from her soldier boyfriend. Mekong Delta is about the suicide death of her uncle after serving in Vietnam. Save Yourself walks a mile in the shoes of Rachel’s once-homeless brother. And Susanna (a co-write with her son) is Harrington’s tender tribute to her songwriting hero, Guy Clark.
Recorded in Portland Oregon, Austin, and Nashville, the album is produced by Pdx music veteran Casey Neill, with John Morgan Askew on recording and mixing (Laura Gibson, Richmond Fontaine). Musicians of note include Lloyd Maines (Dixie Chicks, Richard Buckner) on pedal steel and slide, AMA Instrumentalist of the Year nominee Eamon McLoughlin (Emmylou, R. Crowell) on fiddle, Danny Barnes on banjo, with Laura Veirs and Shelley Short (Neko Case) on harmonies.
WORLDWIDE RELEASE DATE: Sept 6, 2019
:: mini bio ::
Reared among the Pentecostal pines of Oregon, Rachel Harrington has been doing things in the wrong order for quite some time. She'd had extensive radio play before performing her first live show, and she was opening for Grammy winners before releasing her first record.
From families of Texas dairymen and Oregon lumberjacks, Rachel's only exposure to music as a young child was gospel - that, and her father's secret Stax/Motown collection he'd amassed since his return from serving in Vietnam.
At the age of 12, after a stay with family in Montana, she fell in love with horses and started riding. An old cowboy named Dutch gave her riding lessons - during which he listened to his favorite radio station that described itself as "stone country." Hank Williams Sr., Loretta Lynn, George Jones. Classics. Rachel started playing guitar the following year.
As a sixth generation Oregonian, Harrington feels a strong connection to place and to creating music that captures some of the stories and heritage of The West. She holds a Bachelor's degree in Pacific Northwest Bioregional Studies from Fairhaven College at WWU in Bellingham, Washington, and a Master's in Environmental Conflict Resolution at NAU in Flagstaff, Arizona. During her college years, Rachel also studied creative writing with critically acclaimed author Ann Cummins. "If anything, I think I'm actually a short story writer. The story always comes first."
:: discography info ::
Rachel's 2007 debut, The Bootlegger's Daughter, (featuring guest musicians John Reischman and Danny Barnes) went to #1 on the Euro-Americana Chart and landed the Seattle siren smack in the center of the UK Americana scene when legendary BBC dj Bob Harris proclaimed Bootlegger's Daughter one of the best albums of the year. The following year of aggressive touring saw Harrington playing festivals in a dozen countries with some of the top names in bluegrass and country music. 4 stars in Mojo.
Harrington's 2008 follow-up record, City of Refuge, featured several guests including Tim O'Brien and Pieta Brown. The album was produced by Evan Brubaker and mixed by David Ferguson (Johnny Cash's American Recordings III & IV), released on Rachel's own SkinnyDennis Records. City of Refuge reached millions of listeners through in-store airplay at Starbucks throughout the US. Four stars in Q Magazine.
In 2009, after two years spent mostly on the road touring internationally (including headline spots the Glasgow Americana Festival (Scotland) and the Maverick Festival (England)), Harrington was touted as the hardest working woman in Americana. She put out a limited edition live album, In The Woods: Live In The Netherlands, (2009).
In 2010, Rachel spent 3 months touring abroad with UK legend Rod Clements (of Lindisfarne fame), and played Scotland's Celtic Connections for the first time.
2011 saw the release of her 3rd album, Celilo Falls, which garnered sweeping 4-star reviews in major music publications (Mojo, Q, Songlines). The album debuted at #3 on the Euro-Americana Chart and reached Top-40 on the Americana Music Association radio chart, #5 on the Folk-DJ chart, #9 on the Roots Music Report chart, and #12 on the Freeform American Roots chart. Harrington was a 2011 winner in the Chris Austin Songwriting Contest at Merlefest, a finalist in the Dave Carter Songwriting Contest at Sisters Folk Festival, and had official showcases at both the western regional and international folk alliance conferences.
Harrington's fourth outing was a marked departure. Wanting to let her hair down with some friends for a while, she put together an all-girl honkyband, The Knockouts. The result was "cosmic American music" as Gram Parsons had envisioned. Makin' Our House A Honkytonk released in 2012 and was a cult favorite for hard-core classic country fans. Q magazine said, "Harrington makes Neko Case sound like Olivia Newton John."
Rachel's lo-fi covers album, I Wish I Was In Austin (spring 2019), whose title is taken from a Guy Clark tune on the album, was a compilation of some of Rachel's favorite songs written by some of her favorite songwriters.
:: notable awards & achievements ::
* 2011 Chris Austin Song Contest, Merlefest, Winner
* 2011 Finalist, Sisters Folk Festival songwriting contest
* 2011 Top 5 Finalist, Belfast Nashville Songwriting Competition
* 2006 Emerging Artist Showcase, Falcon Ridge Folk Festival
* 2006 Honorable Mention, WCS International Song Contest
* 2005 Winner, Gig Harbor Songwriter Competition
* 2005 Winner, Old No. 9 Music Scholarship
:: notable festivals ::
* 2019, 2010 Summertyne Americana Festival (UK)
* 2019, 2010 Maverick Americana Festival (UK)
* 2018, 2010, 2008 Perth Southern Fried Festival (UK)
* 2010 Celtic Connections (UK)
* 2010 Broadstairs Folk Week (UK)
* 2009 Naked Song Festival (Netherlands)
* 2009 & 2008 Glasgow Americana Festival (UK)
* 2008 Larmer Tree Music Festival (UK)
* 2008 Stamford Guitar Festival (UK)
* 2008 Bluewaters Bluegrass Festival (WA)
* 2008 Rivercity Bluegrass Festival (WA)
* 2006 Falcon Ridge Folk Festival (NY)
* 2006 Not Yer Daddy's 'Grass (OR)
* 2005 NW Pickathon (OR)
* 2004, 2005, 2006 NW Folklife (WA)
:: notable tour support spots ::
* Guy Clark
* Iris Dement
* Eliza Gilkyson
* Jim Lauderdale
* Todd Snider
* Fred Eaglesmith
* Jesse Sykes